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| Tree in Blossom " Blühender Baum" about 1925 |
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| The End of Winter " Spätwinter" about 1928 |
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| Springtime on the Mountain " Bergfrühling" about 1932/33 |
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| Springtime in Tyrol " Frühling in Tirol" 1928 |
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SPRING THEMES:
As exemplified by Frühling in Tirol
(Springtime in Tyrol), Walde frequently chose "generalized" titles
for his paintings that clearly indicated the season, with an eye toward
heightening their commercial appeal.
Best known for his winter landscapes, Alfons Walde was actually a painter
of all seasons. Regardless of the particular period in his development,
it was Walde's extraordinary ability to master both light and perspective
in his landscapes, with a sensitivity and strength of expression all his
own, that ultimately created his very authentic style; authentic in the
sense that, through skillful application of color and compositional techniques,
he managed to invariably capture the "right" mood of the given
day and season. It is an authenticy that frequently leaves viewers feeling
as if they were actually standing in the midst of one of Walde's landscapes.
Walde produced many small, square-format oil paintings on cardboard, with
thick, rounded, wooden frames that were designed and painted in off-white
by the artist himself. Most frequently, the viewer encounters motifs of
landscapes, forest clearings, houses, farms, chapels, religious crosses
marking the local paths, and other scenes typical of the area around Kitzbühel;
motifs from the micro-universe that surrounded the maturing artist, many
of them long since disappeared or dramatically altered in appearance. Regardless
of theme, the viewer is continually invited to experience Walde's innermost
moments of perception and emotion when looking at these unique, intimate
"visual thoughts." Secluded from metropolitan life, this genre
finds itself reduced to an idyllic view that is, ultimately, indebted to
its own mentality. Such interpretation might sound a little sentimental,
but rejection of the urban lifestyle and a strong yearning for increased
control over the immediate "living space" are quite evident in
the artist's work.